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A rare moment:
Grover Kohl dines out instead of eating his slow-setting supper in
his barbershop
Supper's Gotta Set, Sonny
Travelers
driving through the upper reaches of the Hudson Valley will find that Old Route 22 runs right
through the center of Amenia. Like
so many of the small villages that fill the map of Upstate New York, Amenia
today offers the casual motorist few hints of its once lively past.
Its Main Street has no clothing store, no pharmacy, no
shoemaker, no liquor store, no
movie theater. But it was not
always so. I can remember when it
had all those things and boasted two barbershops – Al Moore’s and
Grover Kohl’s.
I used
to get my hair cut in Grover Kohl’s shop.
That is, I did until “the incident.” Then, I switched to Al Moore – I had no
choice.
It all
took place on a grey winter day. I
was nine years old and needed a haircut.
So, naturally, I went to see Grover.
Grover
Kohl was a portly, taciturn bachelor who was well into his sixties. Because he worked in the very same shop
that his father had opened nearly eighty years earlier, the LIFE
photographer Alfred Eisenstadt, had done a photo essay about Grover and
made him into a sort of local celebrity.
They even put his picture in a school textbook. But that one touch of fame had
certainly not affected him. He
continued to live quietly and unobtrusively in the back of his small
barbershop, his professional life separated from his private world by a
skimpy black curtain.
It was
about 4:30 on a January afternoon when I walked
in. Grover was seated in one of the
customer’s chairs, his feet resting on the top of the potbellied
stove. In a chair alongside of him
was a dinner plate containing the remains of a just-eaten meal. I took off my coat, sat down in the
large barber chair and waited for him to start my haircut.
After
nearly ten minutes of silence – not a word had passed between us since I
entered the shop – I turned to him and politely said, “Mr. Kohl, I want a
haircut.” Without moving his folded
hands from his ample stomach or his feet from atop the stove, without expression
or emotion of any sort, Grover quietly replied, “Supper’s gotta set,
sonny.”
And that
ended our conversation. As I
recall the incident, I waited a bit longer for this momentous event of
supper setting to take place but it soon became obvious that Grover had
eaten one of those heavy, slow-setting kinds of suppers and that my haircut
was not to be.
Wordlessly,
I got out of the barber chair, put on my coat and departed leaving behind
an equally silent Grover Kohl with his feet still warming on the stove and
his supper still setting in his stomach, the perfect picture of a
philosopher who had discovered the exquisite balance between duty and
digestion.
I never
returned to Grover’s barbershop. I
guess it was because nine-year old
boys cannot risk affronts to their fragile dignity any more than they can
recognize chance encounters with true wisdom.
It was
not many years later that I left rural Amenia and jumped enthusiastically
into the middle of modern suburban America.
And that’s where I’ve spent most of my adult life. It’s certainly been an stimulating and
rewarding place – much of the time.
But it does possess its own peculiar painful frenzy – a frenzy that
unfortunately seems to be normal for a culture that is in constant motion
and continual turmoil.
In recent
years, when events move too fast and the plate of life becomes too full, my
thoughts often turn to those simpler childhood days in the village of
Amenia. Sometimes this daydream
reaches the point where I actually see Grover Kohl and , if I really
concentrate, I can hear him mumbling that haunting phrase – “Supper’s gotta
set, sonny.” It’s then that I know
the time has come to find me a warm pot-bellied stove to rest my feet on.
By
permission: Gerry Holzman---86 Cedar Avenue, Islip NY 11751 ---(631)277-6168
A note of condolence to Mary Ellen
Downey of Leedsville, after the death of her husband Tom, led to an exchange of letters with an Amenia High School
friend, Gerry Holzman, Class of 1950. Gerry, who moved away some 50 years ago,
sent along several delightful vignettes of the Amenia of his youth. After a career in education, Gerry has
taken his talent for wood carving to the Empire State Carousel Museum in Islip, Long Island as its director.
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